This isn't to say a trauma-informed friend can't have feelings: there were times where Terry articulated her feelings – an eye roll about Theo, a light jab about social media. She listened when Arabella was ready to face the baggage underneath her bed, and when she needed company frequenting the bar from the night of the rape. She didn't judge Arabella for finding stability in social media advocacy (which eventually consumed her), when Arabella brought problematic friend Theo to her birthday, or when Arabella lost funding for her unwritten book. Terry provided space for Arabella to express her trauma when she was ready. While all three characters keep each other afloat, the show highlights Terry's especially trauma-informed manner towards main character Arabella. #KWAME ON I MAY DESTROY YOU HOW TO#Watching I May Destroy you may be cathartic for the many people who have experienced trauma, but it's also a lesson on how to be a trauma-informed friend. At the same time, Terry, "nurturer" extraordinaire, is re-processing being manipulated into a threesome, but tries to avoid her own trauma by focusing on her friends. Meanwhile, Kwame holds emotional intimacy at arm's length, paralyzed by his sexual assault at the hands of a man who he had previously chosen to have intercourse with. TRIGGER WARNING: Discussion of sexual assault and rape.Īrabella oscillates between insight into and dissociation from her understandably erratic behaviors after being roofied and raped. All three experience nuanced forms of sexual trauma and deal differently. The show revolves around the stories of three complex characters battling their own angels and demons: Arabella, a Ghanaian woman loosely-based on Coel IRL, her friend Kwame, a Ghanaian gay-identifying male, and Terry, her best friend. Speak up and share your huffy opinions in our famous forums where 5,000 showbiz leaders lurk every day to track latest awards buzz.While the show itself could be considered triggering because of its intimate tango with sexual trauma, Michaela Coel's I May Destroy You is spot on in its depiction of the inner, outer, and everything in-between forms that trauma morphs into as it takes life hostage. Can you top our esteemed leaderboards next? Always remember to keep your predictions updated because they impact our latest racetrack odds, which terrify Hollywood chiefs and stars. #KWAME ON I MAY DESTROY YOU ANDROID#Download our free and easy app for Apple/iPhone devices or Android (Google Play) to compete against legions of other fans plus our experts and editors for best prediction accuracy scores. “It’s a real moment of growth for him,” reveals the actor, “but the journey is ongoing.” PREDICT the 2021 Emmy nominations through July 13 #KWAME ON I MAY DESTROY YOU SERIES#He imagines that Kwame would still be learning if the series continued on for a dozen more episodes. “Which is a huge thing to ask for,” says the actor. Essiedu notes that this moment of connection allows Kwame “to have a vulnerability and to let go.” After struggling to let other people in, he asks the man for a hug. The actor enjoyed exploring the authenticity of the character’s resulting journey because he believes “there are so many moments where he can choose to learn or not.” Near the conclusion of the series, Kwame meets a man who is interested in making a genuine connection instead of a hookup. Essiedu states that immense thought and preparation went into crafting the moment, so they “could approach the scene with as much realness and truth as possible.” An intimacy coordinator was used on set to help guide the process in a safe way. The actor explains that the team “wanted to be courageous in showing it,” rather than have it be an off camera experience, in order to depict Kwame’s entire journey. Kwame is forced to bear major trauma after a night of consensual sex turns into a violent assault. SEE Weruche Opia interview: ‘I May Destroy You’ “So much of Kwame’s experience is really, actually about not being given the space to talk about what’s happening with him.” I really liked the idea of what can be said with the unsaid.” The performer believes this dynamic feels true to life and assists in highlighting one of the many themes that Coel’s scripts. “It’s a visual medium,” notes the actor, “we were lucky to be given the space to not have to fill every second…with dialogue. This means that Essiedu has to communicate a great deal of Kwame’s emotional journey without the use of words. He scrolls obsessively through dating apps and often has a soft spoken demeanor in group scenarios. Kwame spends a great deal of time in his own personal world.
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